My conceptual works emerge from the meeting place of land, fibre, and story. These pieces are not meant for daily wear or function, but instead explore material as language, a way of asking questions, holding memory, and making visible the unseen.

Often experimental in form and process, these works investigate relationships between humans and the more-than-human world, the cultural histories embedded in fibre plants, and the quiet labour of making. I work with raw, local, and wild materials allowing their qualities to shape the outcome of each piece.

Each work is both research and offering: an attempt to translate the material world into something that invites pause, reflection, and new ways of seeing.