My conceptual works emerge from the meeting place of land, fibre, and story. These pieces are not meant for daily wear or function, but instead explore material as language, a way of asking questions, holding memory, and making visible the unseen.

Often experimental in form and process, these works investigate relationships between humans and the more-than-human world, the cultural histories embedded in fibre plants, and the quiet labour of making. I work with raw, local, and wild materials (flax, nettle, alpaca, fireweed) allowing their qualities to shape the outcome of each piece.

In this portfolio you will find studies in texture, sculptural explorations, and woven fragments that sit between art object and textile. Each work is both research and offering: an attempt to translate the material world into something that invites pause, reflection, and new ways of seeing.